DIVYA PARKASH, SAMIKSHA SHARMA
DOI: https://doi.org/Irony operates as a structural and thematic cornerstone in the novels of Jane Austen, where it not only generates humor but also drives narrative progression and moral evaluation. This paper examines the dual deployment of verbal and situational irony in Austen’s major works, arguing that irony is central to plot construction, character development, and social critique. Through close textual analysis of Pride and Prejudice, Emma, and Sense and Sensibility, the study demonstrates how Austen’s ironic strategies expose the limitations of social conventions, reveal hidden motivations, and ultimately guide the reader toward ethical clarity. Verbal irony functions as a subtle communicative tool that invites interpretive engagement, while situational irony shapes the trajectory of events, often reversing expectations to highlight the disparity between perception and reality. Together, these forms of irony construct a layered narrative framework that sustains reader interest while reinforcing Austen’s critique of class, gender norms, and moral judgment.
